Posted: Wed Nov 29, 2006 9:41 pm
Nice bokeh on the grasshopper
FIREWORKSSSSS

FIREWORKSSSSS

Fair enough - just wanted to ask. :icon14:FanaticX wrote:Sorry guys..no wallpapers available because:
A) Most of the recent originals are all lost b/c HD crashed and burned(no backup). This includes the three nature shots.
B) The other images are archived on my portable photo storage unit at the office.
C) The film images are scanned for web size so I'm not gonna re-scan.
C) I'm too lazy to look, edit, and upload.
S O R R Y !!
Yeah.. I really want one. It's sharper than the 135 f/2 and faster. I keep waiting for some dumb ass to dump one cheap on ebay. I get a daily email of new listings for it. I met someone who shoots for USATF who uses the Nikon version of it and it was really nice.Doombrain wrote:dave. 200 f1.8 L best canon lens ever?
http://www.waynesthisandthat.com/bestca ... brand.html
I just tried using tritone.. it's kind of cool if you don't want to do simple black & white. I still prefer the channel mixer for that.saturn wrote:If you have iPhoto for the Mac, it's dead easy. Other photo programs will do it easily too. You just chose the sepia effect from the menu, I also tweaked the settings a bit but here's an examplemac wrote:would still like to know how you get the speia effect done, tried to get the colors looking like youres (which i like alot) but with no big luck.
as for daves second version.. it looks better than the pure bw but the kids look somehow odd as if they are missing some parts here and there
Here's how you do a nice black-white conversion of a colour photo in Photoshop. First convert the colourphoto to grayscale, then you get the Duotone option in the Image>Mode menu. Chose it, PS will ask you for a preset. Goto the PS folder, there's a presets folder with duotones folder. Select the Pantone quadtones. And suddenly your dull grayscale photo has turned into a great BW pic. Example:
usa track and fieldR00k wrote:What is USATF?
It’s there. About 2/3 from the left you’ll see the diagonal line.Dave wrote:I thought the joins were vertical blinds in the window DB.
You're right, it practically jumped out at me and grabbed my attention from the rest of it. The photos are gorgeous though.Dave wrote:
I like this one, but you might want to consider cropping out part of that window because its brightness overpowers everything in the photo. It's a shame her eyes are so dark too
Yea... it's a beast. If you can use a flash to stop motion in stead of ambient light alone, the 24-105 is probably better and gives you a little more reach. Since I shoot volleyball and basketball where flash is not allowed, the extra stop comes in handy.Doombrain wrote:very nice dave.
well i pussied out and bought the 24-105 f/4l IS. i got the 24-70 2.8 for a day but it was just too fucking big for a walk about.
the 2.8 i take it? very nice.Dave wrote:Yea... it's a beast. If you can use a flash to stop motion in stead of ambient light alone, the 24-105 is probably better and gives you a little more reach. Since I shoot volleyball and basketball where flash is not allowed, the extra stop comes in handy.Doombrain wrote:very nice dave.
well i pussied out and bought the 24-105 f/4l IS. i got the 24-70 2.8 for a day but it was just too fucking big for a walk about.
I just pussied out and got the non-IS version of the 70-200... i was going to get the IS, but I didn't want to trade sharpness for IS when the thing will never be used below 1/500th anyway. I also heard they stopped production of the non-IS version so it might be harder to find a one new.